By Donald Hawes
Charles Dickens is absolutely a literary monstrous. the main largely learn writer of his personal new release, his works stay really renowned and critical at the present time. usually noticeable because the indispensable Victorian novelist, his texts exhibit possibly larger than any others the force for wealth and growth and the social contrasts that characterized the Victorian period. His works are greatly studied through the global either as literary masterpieces and as vintage examples of the 19th century novel. Combining a biographical strategy with shut studying of the novels, Donald Hawes bargains an illuminating portrait of Dickens as a author and perception into his existence and occasions. This e-book will offer a brief, full of life yet refined advent to Dickens's paintings and the non-public and social context within which it used to be written.
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Additional info for Charles Dickens (Writers Lives)
But he is not so prolific with actual addresses. Where, for example, is Great Gaunt Street, where Pitt Crawley lives in Vanity Fair* Dickens made his reputation as a young writer with his unprecedented accounts of life in the London streets in Sketches by Boz. In his subsequent writings, he pinpoints routes and addresses. When Bill Sikes and Oliver Twist are on their way out of London to Chertsey, where the burglary is to take place, they walk into Bethnal Green Road, and thread the streets between Shoreditch and Smithfield: 'Turning down Sun Street and Crown Street, and crossing Finsbury Square, Mr Sikes struck, by way of Chiswell Street, into Barbican: thence into Long Lane: and so into Smithfield/ When clear of Smithfield, they make their way through Hosier Lane into Holborn, pass Hyde Park, approach Kensington and then get a lift on a cart through Hammersmith, Chiswick, Kew Bridge and Brentford (OT, ch.
Pickwick case, is appalled and fascinated by seeing the many classes of people who have been locked up: 'from the labouring-man in his fustian jacket, to the broken-down spendthrift in his shawl dressing-gown, most appropriately out at elbows; but there was the same air about them all - a listless jail-bird careless swagger, a vagabondish who's-afraid sort of bearing, which is wholly indescribable in words, but which any man can understand in one moment if he wish, by setting foot in the nearest debtor's prison, and looking at the very first group of people he sees there' (PP, ch.
Nowhere is this complex emotional response more vitally shown than in a bravura passage of prose in Nicholas Nickleby: They [Nicholas Nickleby and Smike] rattled on through the noisy, bustling, crowded streets of London, now displaying long double rows of brightly-burning lamps, dotted here and there with the chemists' glaring lights, and illuminated besides with the brilliant flood that streamed from the windows of the shops, where sparkling jewellery, silks and velvets of the richest colours, the most inviting delicacies, and 30 Charles Dickens most sumptuous articles of luxurious ornament, succeeded each other in rich and glittering profusion.