By Carl Dahlhaus
This booklet is the 1st thoroughgoing learn in any language of the philosophy of tune historical past. Drawing on competing philosophies of heritage in the course of the a long time, from the Enlightenment to the French structuralists, from the German idealist culture to Russian formalism, the past due Carl Dahlhaus applies the options of those numerous colleges to the professional requisites of song background and assesses their merits and shortcomings. detailed cognizance is given to an appraisal of no matter if Marxist evaluations are nonetheless workable and the place they stand wanting rethinking. For this English variation, the writer supplied an intensive annotated bibliography.
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Extra info for Foundations of Music History
For if we consider viewing pieces of music as links in a chain to be inimical to art, an infringement of their aesthetic character, then one sole form of historical presentation remains - which is, strictly speaking, no form at all: Downloaded from University Publishing Online. 250 on Thu Jan 26 22:16:48 GMT 2012. 004 The significance of art 25 assembling collections of monographs, which can then be rearranged depending upon which aspect of one we wish to illuminate by its proximity to another.
And it is these conceptualised events, and not the given materials, that represent the historical facts he seeks. It cannot be denied that the distinction between data and facts 1 Historik, p. 96. Downloaded from University Publishing Online. 250 on Thu Jan 26 22:16:48 GMT 2012. 005 36 Foundations of music history is relative and has hierarchical gradations. In historiology, the theory of the historical sciences, we need not go into the relation between sense data and categorically formed perceptions.
P. 98). Seen in this light, the ultimate goal of history is to comprehend or explain past human actions. 2 2 Despite the urgent need for a psychology or anthropology of history there have as yet been scarcely any efforts in this direction. Downloaded from University Publishing Online. 250 on Thu Jan 26 22:16:48 GMT 2012. 005 What is a fact of music history? 37 The realisation that historical facts are always based on interpretations need not be disturbing. Strictly speaking, the 'raw facts' sometimes spoken of by historians when they feel harassed and fatigued by the problems of hermeneutics do not exist.