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By Michel Laclotte

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Purely Classical work, there are numerous conflicting opinions as to its date: about 16281 629 according to some critics; of the same period as the Martyrdom of St. Erasmus from Apollo and Vatican and the Virgin at the Pillar in the Louvre towards the end of his Roman period, as late as 1638-16)9. in the the 28 most plausible. - FRENCH SCHOOL ( 1631-1632); others The first hypothesis put it seems 9 Nicolas Poussin (Les Andelys, 1594-Rome, 1665) THE SUMMER OF RUTH AND BOAZ Canvas. 118 x 160 cms.

Adhemar the sitter might have According to The is ', Mme been the wife of Salomon Couture, to the Parlement of Rouen. 40 FRENCH SCHOOL - Lord of Chamacourt and Sorquainville and Counsellor «3 Jean-Baptiste Greuze (Tournus, 1725-Paris, 1805) THE BROKEN PITCHER Oval canvas, Museum The history of no X 85 cms. (44 Central, 1793. ) 5°3^ known one belonging to the marquis de to have been two original Verri, the other to the comtesse du Barry, but it is not known which one is the version in the Louvre.

Might well have been that of the artist in the rue du Four, as described in an inventory of 1737. in the picture FRENCH SCHOOL 37 Francois Boucher (Paris, 1703-Paris, 1770) LE DEJEUNER DU MATIN Canvas. 81 x 65 cms. ) Signed: /. Boucher 17)9 Bequeathed by Docteur Malecot, 1894. F. 926 This intimate, N. homely scene, rather rare in Boucher's work (engraved in 1744 by Lepicie, usually Chardin's interpreter) depicts the painter's twenty-six-year-old wife 17 3 /, and Jus tee-Nathan, The setting, a priceless example of a Rococo interior, was undoubtedly the painter's own home in the rue Saint-Thomas-du-Louvre.

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